Rioux : Transition. G_Cl_G
"Not AI-Generated"
Les paysages abstraits présentés ne révèlent qu'une fraction de l'univers visuel construit par l'artiste. Cette approche singulière, développée bien avant l'avènement de l'IA générative, s'appuie sur une maîtrise des outils numériques et photographiques.
Ces œuvres, dans la continuité des collections Turquoise et Renaissance, poursuivent une réflexion plus vaste sur la nature même de la perception. Chaque tableau devient un champ d'investigation où le temps semble se dilater, invitant le spectateur à une expérience méditative qui dépasse la simple contemplation esthétique. L'espace pictural se transforme en un lieu de résonnance où la lumière devient matière et où l'abstraction révèle sa dimension spirituelle.
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The abstract landscapes presented reveal only a fraction of the visual universe built by the artist. This singular approach, developed well before the advent of generative AI, relies on a profound mastery of digital and photographic tools.
These works, in continuity with the Turquoise and Renaissance collections, pursue a broader reflection on the very nature of perception. Each digital painting becomes a field of investigation where time seems to dilate, inviting the viewer into a meditative experience that goes beyond mere aesthetic contemplation. The pictorial space transforms into a place of resonance where light becomes matter and abstraction reveals its spiritual dimension.
@rioux
Paul-Emile Rioux
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The pivotal shift in Rioux's artistic trajectory occurred in the early 1990s when, in parallel with his photography career, he began exploring 3D software. This exploration rapidly evolved into his "passionate main pursuit" – the creation of virtual worlds.This marked a profound transition from the capture of existing reality to the generative construction of entirely new digital realms. His enduring interest in "cutting-edge new media technology" has been a lifelong commitment , consistently positioning him at the vanguard of digital artistic innovation.
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As an artist, I believe that art must be part of every successful innovation. Furthermore, I consider that art is a necessity on par with funding, design, communication, environmental respect, management... For more than 20 years, I have sought to push creative boundaries by building virtual worlds that challenge our perception of urban and environmental realities. In a world where 70% of employers identify creative thinking as the most sought-after skill, art becomes an essential catalyst that transforms business processes and unleashes latent creative capacities. Today, I aim to connect my research with visionary innovators and investors who share my conviction that artistic creativity is a vital catalyst for technological and social progress.